Bibliography

Books

Aldiss, Brian Wilson. Billion Year Spree: The True History of Science Fiction. London: Weidenfeld and Nicolson. 1973.

Altman, Rick. Film/Genre. London: British Film Institute. 1999.

Angoff, Charles, ed. The Humanities in the Age of Science. Rutherford: Fairleigh Dickinson University Press. 1968.

Arendt, Hannah. The Human Condition. Chicago/London: University of Chicago Press. 1958.

Ashfield, Andrew & de Bolla, Peter, eds. The Sublime: A reader in British eighteenth-century aesthetic theory. Cambridge: Cambridge University Press. 1996.

Augoyard, Jean-Francois & Torgue, Henry, eds. Sonic Experience: A Guide to Everyday Sounds. Montreal: McGill-Queens University Press. 2005.

Baxter, Jeannette. J.G. Ballard’s Surrealist Imagination: Spectacular Authorship. Farnham/Burlington: Ashgate. 2009.

Ben-Tov, Sharona. The Artificial Paradise: Science Fiction and American Reality. Ann Arbor: The University of Michigan Press, 1998.

Break, Mark L. & Hook, Neil. Different Engines: How Science drives fiction and fiction drives science. London/New York: Macmillan. 2008.

Broderick, Damien. Reading by Starlight: Post Modern Science Fiction. London, Routledge, 1994, p.32.

Broderick, Damien. Transrealist Fiction: Writing in the Slipstream of Science. Westport Conn./London: Greenwood Press. 2000.

Brunette, Peter, ed. George Lucas Interviews. Jackson: University Press of Mississippi. 1999.

Burke, Edmund. A Philosophical Enquiry into The Sublime and Beautiful & Other Pre-Revolutionary Writings. London: Penguin Books. 2004 [1757].

Bukatman, Scott. Matters of Gravity: Special Effects in the 20th Century. London & Durham: Duke University Press. 2003.

Bukatman, Scott. Terminal Identity: The Virtual Subject in Post-Modern Science Fiction. London & Durham: Duke University Press. 1993.

Cox, Christopher & Warner, Daniel. Audio Culture: Readings in Modern Music. New York: Continuum. 2004.

Davis, Mike & Monk, Daniel Bertrand, eds. Evil Paradises: Dreamworlds of Neoliberalism. New York/London: The New Press. 2007.

Deleuze, Gilles, Guattari, Felix. A Thousand Plateaus: Capitalism and Schizophrenia. London: University of Minneapolis. 1987

Disch, Thomas. M. The Dreams Our Stuff Is Made Of: How Science Fiction Conquered The World. New York: Simon & Schuster. 1998

Doyle, Peter. Echo & Reverb: Fabricating Space in Popular Music Recording, 1900-1960. Middletown: Wesleyan University Press. 2005.

Drobnick, Jim, ed. Aural Cultures. Toronto: YYZ Books. 2004.

Eshun, Kodwo. More Brilliant Than The Sun: Adventures in Sonic Fiction. London: Quartet Books, Ltd. 1998.

Freud, Sigmund. The Uncanny. London: Penguin Book. 2003 [1919].

Green, Martin. Science and the Shabby Curate of Poetry: Essays about the two cultures. London: Longmans, Green and Co. Ltd. 1964.

Grenville, Bruce, ed. The Uncanny: Experiments in Cyborg Culture. Vancouver: Vancouver Art Gallery/Arsenal Press. 2002.

Gunn, James & Candelaria, Matthew, eds. Speculation on Speculation: Theories of Science Fiction. Lanham, Maryland, Toronto, Oxford: The Scarecrow Press. 2005.

Hanson, Matt. Building Sci-Fi Moviescapes: The Science Behind The Fiction. Mies: Rotovision SA. 2004.

Hayward, Philip, ed. Off The Planet: Music, Sound and Science Fiction Cinema. London, Paris, Rome, Sydney: John Libbey/Perfect Beat Publications. 2004.

Hogan, David J., ed. Science Fiction America: Essays on SF Cinema. Jefferson NC & London: McFarland & Company Publishers. 2006.

Huyghe, Pierre, & Parreno, Phillippe. No Ghost Just A Shell. Köln: Verlag der Buchhandlung Walther König. 2003.

Ihde, Don. Listening and Voice: Phenomenologies of Sound. Albany: State University of New York Press. 2007.

Jameson, Frederick. Archaeologies of the Future: The Desire Called Utopia and Other Science Fictions. London: Verso. 2005.

Kaveney, Roz. From Alien to The Matrix: Reading Science Fiction Film. London & New York: I.B. Taurus & Co. Ltd. 2005.

Kelly, James Patrick &  Kessel, John, eds. Feeling Very Strange: The Slipstream Anthology. San Francisco: Tachyon Publications. 2006. pp iix-ix.

Khan, Douglas. Noise Water Meat: A History of Sound in the Arts. Cambridge: The MIT Press. 1999

Klein, Norman. The Vatican to Vegas: A History of Special Effects. New York & London: The New Press. 2004.

Kuhn, Annette, ed. Alien Zone II: The Spaces of Science Fiction Cinema. London/New York: Verso. 1999.

Lanza, Joseph. Elevator Music: A Surreal History of Muzak, Easy Listening and Other Moodsong. [Revised and Expanded Edition]. Ann Arbor: University of Michigan Press. 2004.

Leavis, F.R. Two Cultures? The Significance of C.P. Snow. London: Chato & Windus. 1962.

McCaffrey, Larry, ed. Storming The Reality Studio: A Casebook of Cyberpunk and Postmodern Science Fiction. Durham & London: Duke University Press. 1991.

McClean, Shilo T. Digital Storytelling: The Narrative Power of Visual Effects in Film. Cambridge Mass. & London: The MIT Press. 2007.

Marcus, Greil. Lipstick Traces: A Secret History of the Twentieth Century. Cambridge Mass: Harvard University Press. 1989.

Miller, Paul D., ed. Sound Unbound: Sampling Digital Music and Culture. Cambridge: The MIT Press. 2008

Mosco, Vincent. The Digital Sublime: Myth, Power and Cyberspace. Cambridge Mass./London: The MIT Press. 2004

Murray, Robin L., & Heumann, Joseph, K. Ecology and Popular Film: Cinema on the Edge. Albany: State University of New York Press. 2009.

Parrinder, Patrick. Learning from Other Worlds: Estrangement, Cognition, and the Politics of Science Fiction and Utopia. Durham: Duke University Press. 2001.

Sanders, Steven. M. The Philosophy of Science Fiction. Lexington: University Press of Kentucky. 2008.

Schaefer, R. Murray. Our Sonic Environment and the Tuning of the World. Rochester: Destiny Books. 1977.

Seed, David, ed. A Companion to Science Fiction. Malden: Blackwell Publishing. 2005.

Silhol, Lea & Valls de Gomis, Estelle, eds. Fantastique, Fantasy, Science-Fiction: Modes imaginaires, étranges réalités. Paris: Editions Autrement. 2005.

Sobchack, Vivian, ed. Meta Morphing: Visual Transformation and the Culture of Quick Change. Minneapolis & London: University of Minnesota Press. 2000.

Sobchack, Vivian. Screening Space: The American Science Fiction Film. New Brunswick: Rutgers University Press. 1987.

Sumrell, Robert & Varnelis, Kazys. Blue Monday: Stories of Absurd Realities and Natural Philosophies. Actar: Barcelona. 2007.

Thompson, Nato, ed. Experimental Geography: Radical approaches to Landscape, Cartography and Urbanism. Brooklyn: Melville House. 2008.

Toop, David. Exotica: Fabricated Soundscapes In The Real World. London: Serpent’s Tail, 1999.

Toop, David. Haunted Weather: Music, Silence and Memory. London: Serpent’s Tail. 2004.

Vest. Jason P. Future Imperfect: Philip K. Dick at the Movies. Westport: Praeger. 2007.

Waugh, Patricia. Metafiction: The Theory and Practice of Self-Conscious Fiction. London/New York: Methuen. 1984.

Westfahl, Gary, ed. Space and Beyond: The Frontier Theme in Science Fiction. Westport, Connecticut, London: Greenwood Press: 2000.

Whittington, William. Sound Design & Science Fiction. Austin: University of Texas Press. 2007.

Wood, Gabby. Living Dolls: A Magical History of the Quest for Mechanical Life. London: Faber & Faber. 2003.

Zukowsky, John, ed. 2001: Building for Space Travel. New York: Harry N. Abrams Inc. 2001.

Zunshine, Lisa. Strange concepts and the stories they make possible: cognition, culture, narrative. Baltimore: The Johns Hopkins University Press. 2008.

Book Chapters, Journals & Magazine Articles

Anderson, Ben. “A Principle of Hope: Recorded Music, Listening Practices and the Immanence of Utopia.” Geografiska Annaler. Series B, Human Geography, Vol. 84, No. 3/4, Special Issue: The Dialectics of Utopia and Dystopia (2002): pp. 211-227

Jacques Attali, “Noise and Politics.”  Audio Culture: Readings in Modern Music. New York/London: Continuum Books, 2004. pp 7-10

Banash, David. “Reading Baudrillard”. Science Fiction Studies, Vol. 30, No. 1 (Mar., 2003), pp. 123-129

Baudrillard, Jean. “The Hell of The Same”. The Transparency of Evil. London/New York: Verso. 1990 [1993]. pp 113-123

Baudrillard, Jean [Evans Arthur B., trans]. “Simulacra and Science Fiction”. Science Fiction Studies, Vol. 18, No. 3, Science Fiction and Postmodernism (Nov., 1991), pp. 309-313

Baudrillard, Jean. “Xerox to Infinity”. The Transparency of Evil. London/New York: Verso. 1990 [1993]. pp 51-59

Beck, Bernard. “The Overdeveloped Society: THX 1138.” Film In Society. Arthur Asa Berger. ed. New Brunswick: New Jersey. 1980. Pp 59-68

Berger, Arthur Asa. “War of The Worlds.” Popular Culture Genres: Theories & Texts, Foundations of Popular Culture Volume 2. Newbury Park: Sage Publications. 1992. pp. 131-146.

Boutoux, Thomas, ed. “JG Ballard.” Hans Ulrich Obrist Interviews. Milan: Charta. 2003. pp 58-68.

Collins, Jim. “When the Legend Becomes Hyperconscious, Print the…” Architecture of Excess: Cultural Life in the Information Age. London: Routledge. 1995. pp 125-149.

Collins, Karen. “Dead Channel Surfing: the commonalities between cyberpunk literature and industrial music.” Popular Music (2005) Volume 24/2. (2005): Cambridge University Press. pp. 165–178

Cholodenko, Alan. “Apocalyptic Animation: In the Wake of Hiroshima, Nagasaki, Godzilla and Baudrillard”. Baudrillard West of The Dateline. Palmerston North: Dunmore Press. 2003.pp 228-244.

Collins, Jim. “When the Legend Becomes Hyperconscious, Print the…” Architecture of Excess: Cultural Life in the Information Age. London: Routledge. 1995. pp 125-149.

Conner, James A. “Strategies for Hyperreal Travelers”. Science Fiction Studies, Vol. 20, No. 1 (Mar., 1993), pp. 69-79

Csicsery-Ronay Jr., Ronay. “Antimancer: Cybernetics and Art in Gibson’s ‘Count Zero’”. Science Fiction Studies, Vol. 22, No. 1 (Mar., 1995), pp. 63-86

Csicsery-Ronay Jr., Ronay. “Science Fiction and Empire.” Science Fiction Studies, Vol. 30, No. 2, Social Science Fiction (Jul., 2003): pp. 231-245

Csicsery-Ronay Jr., Ronay. “The SF of Theory: Baudrillard and Haraway”. Science Fiction Studies, Vol. 18, No. 3, Science Fiction and Postmodernism (Nov., 1991): 387-404

Csicsery-Ronay Jr., Ronay. “Review: Postmodern Technoculture or the Gordian Knot Revisited.” Science Fiction Studies, Vol. 19, No. 3 (Nov., 1992), pp. 403-410

Doyle, Peter. “From ‘My Blue Heaven’ to ‘Race with the Devil’: echo, reverb and (dis)ordered space in early popular music recording.” Popular Music (2004) Volume 23/1. Cambridge University Press, pp. 31–49

Evans, Arthur B. “Optograms and Fiction: Photo in a Dead Man’s Eye.” Science Fiction Studies, Vol. 20, No. 3 (Nov., 1993), pp. 341-361

Gibson, William, “Cloning the Future: Science Fiction Film 1895-1996”, Sight and Sound Sci-Fi supplement, Nov. 1996.

Kelly, James Patrick &  Kessel, John, eds. Feeling Very Strange: The Slipstream Anthology. San Francisco: Tachyon Publications. 2006. pp iix-ix.

Leydon, Rebecca. “The Soft-Focus Sound: Reverb as a Gendered Attribute in Mid-Century Mood Music”. Perspectives of New Music, Vol. 39, No. 2 (Summer, 2001): pp. 96-107.

Luckhurst, Philip. “Border Policing: Postmodernism and Science Fiction”. Science Fiction Studies, Vol. 18, No. 3, Science Fiction and Postmodernism (Nov., 1991): pp. 358-366

Mather, Philip. “Figures of Estrangement in Science Fiction Film.” Science Fiction Studies, Vol. 29, No. 2 (Jul., 2002): pp. 186-201

McLeod, Ken. “Space Oddities: Aliens, Futurism and Meaning in Popular Music.” Popular Music, Vol. 22, No. 3 (Oct. 2003): 337-355

McLuhan, Marshall. “Visual and Acoustic Space”, Audio Culture: Readings in Modern Music. New York/London: Continuum Books, 2004. pp 67-73.

Morley, David. Media, Modernity and Technology. London/New York: Routledge Press, 2007. pp 236-37.

Owen, David. “The Soundtrack of Your Life”. The New Yorker. April 10, 2006: 22-50.

Porush, David. “The Architextuality of Transcendence.” Science Fiction Studies, Vol. 18, No. 3, Science Fiction and Postmodernism (Nov., 1991), pp. 323-325.

Rossi, Umberto. “From Dick to Lethem: The Dickian Legacy, Postmodernism, and Avant-Pop in Jonathan Lethem’s “Amnesia Moon”. Science Fiction Studies, Vol. 29, No. 1 (Mar., 2002): pp. 15-33.

Shey, Don. “30 Minutes with the Godfather of Digital Cinema.” Cinefex. Issue 65, March 1996. Pp 58.

Sontag, Susan. “The Imagination of Disaster”. Against Interpretation and Other Essays. New York: Delta Publishing Co., Inc. 1965. pp 209- 225.

Sterne, Johnathan. “Sounds Like the Mall of America: Programmed Music and the Architectonics of Commercial Space”. Ethnomusicology. Vol 41, No. 1. (Winter 1997): pp 22-50.

Stewart, Garrett. “The ‘Videology’ of Science Fiction.” Shadows of the Magic Lamp: Fantasy and Science Fiction in Film. Carbondale: Southern Illinois University Press. 1985. pp 159-207.

Swope, Richard. “Science Fiction Cinema and the Crime of Social-Spatial Reality”. Science Fiction Studies, Vol. 29, No. 2 (Jul., 2002): pp. 221-246

Théberge, Paul. “The Network Studio: Historical and Technological Paths to a New Ideal in Music Making.” Social Studies of Science, Vol. 34, No. 5, Special Issue on Sound Studies: New Technologies and Music (Oct., 2004), pp. 759-781

Wilson, Robert Anton.“Preface”. Rudy Rucker, Peter Lamborn Wilson & Robert Anton Wilson, eds.  Semiotext [e] SF. New York: Autonomedia. 1989. pp 18-19.

Yuen, Wong Kin. “On the Edge of Spaces: ‘Blade Runner’, ‘Ghost in the Shell’, and Hong Kong’s Cityscape.” Science Fiction Studies, Vol. 27, No. 1 (Mar., 2000): pp. 1-21

Artworks

Fowler, Hayden. Second Nature, 2008. Video. 40 mins.

Huyghe, Pierre. Two Minutes Out of Time, 2000. Video. 4 mins.

Parreno, Phillipe. Anywhere out of The World, 2000. Video. 4 mins.

Films

Silent Running. Dir. Douglas Trumball. Bruce Dern, Cheryl Sparks, Mark Persons. Universal Pictures/Trumball/Gruskoff Productions. 1972.

The Starlost. Dir: Joseph L. Scanlan, Ed Richardson, and Harvey Hart et al. Perf: Keir Dullea, Robin Ward, Gay Rowan. 20th Century Fox. 1973.

THX 1138. Dir: George Lucas.  Robert Duvall, Maggic McOmie, Donald Pleasance. American Zoetrope/Warner Bros. Pictures.

2001: A Space Odyssey. Dir: Stanley Kubrick. Keir Dullea, Gary Lockwood, William Sylvester. MGM/Polaris/Stanley Kubrick Productions. 1968.

Music

Hecker, Tim. An Imaginary Country. Digital download. Kranky/Iris. 2009.

Hecker, Tim. Harmony in Ultraviolet. Digital download. Kranky/Iris. 2009.