Books
Aldiss, Brian Wilson. “Billion Year Spree: The True History of Science Fiction”. London: Weidenfeld and Nicolson. 1973
Altman, Rick. Film/Genre. London: British Film Institute. 1999.
Angoff, Charles, ed. The Humanities in the Age of Science. Rutherford: Fairleigh Dickinson University Press. 1968.
Arendt, Hannah. The Human Condition. Chicago/London: University of Chicago Press. 1958.
Ashfield, Andrew & de Bolla, Peter, eds. The Sublime: A reader in British eighteenth-century aesthetic theory. Cambridge: Cambridge University Press. 1996.
Augoyard, Jean-Francois & Torgue, Henry, eds. Sonic Experience: A Guide to Everyday Sounds. Montreal: McGill-Queens University Press. 2005.
Auping, Michael. Declaring Space. Fort Worth: Modern Art Museum of Fort Worth/Prestel. 2007.
Bandt, Ros, Duffy, Michelle & MacKinnon, Dolly, eds. Hearing Places: Sound, Place Time and Culture. Newcastle, UK: Cambridge Scholars Press, 2007.
Baudrillard, Jean. The Vital Illusion. Chichester: Columbia University Press. 2000.
Baxter, Jeannette. J.G. Ballard’s Surrealist Imagination: Spectacular Authorship. Farnham/Burlington: Ashgate. 2009.
Bellour, Raymond; Bandy, Mary Lea, eds. Jean-Luc Godard: Son + Image 1974-1991. New York: The Museum of Modern Art. 1992.
Ben-Tov, Sharona. The Artificial Paradise: Science Fiction and American Reality. Ann Arbor: The University of Michigan Press, 1998.
Break, Mark L. & Hook, Neil. Different Engines: How Science drives fiction and fiction drives science. London/New York: Macmillan. 2008.
Broderick, Damien. “Reading by Starlight: Post Modern Science Fiction.” London, Routledge, 1994, p.32.
Broderick, Damien. Transrealist Fiction: Writing in the Slipstream of Science. Westport Conn./London: Greenwood Press. 2000.
Broderick, Damien. Unleashing The Strange: Twenty First Century Science Fiction Literature. Rockville MD: Wildside Press/Borgo Press, 2009.
Brunette, Peter, ed. George Lucas Interviews. Jackson: University Press of Mississippi. 1999.
Burke, Edmund. A Philosophical Enquiry into The Sublime and Beautiful & Other Pre-Revolutionary Writings. London: Penguin Books. 2004 [1757].
Bukatman, Scott. Matters of Gravity: Special Effects in the 20th Century. London & Durham: Duke University Press. 2003.
Bukatman, Scott. Terminal Identity: The Virtual Subject in Post-Modern Science Fiction. London & Durham: Duke University Press. 1993.
Clark, Robin. Automatic Cities: The Architectural Imaginary in Contemporary Art. San Diego: Museum of Contemporary Art San Diego. 2008.
Cox, Christopher & Warner, Daniel. Audio Culture: Readings in Modern Music. New York: Continuum. 2004.
Davis, Mike & Monk, Daniel Bertrand, eds. Evil Paradises: Dreamworlds of Neoliberalism. New York/London: The New Press. 2007.
Deleuze, Gilles, Guattari, Felix. A Thousand Plateaus: Capitalism and Schizophrenia. London: University of Minneapolis. 1987.
Disch, Thomas. M. The Dreams Our Stuff Is Made Of: How Science Fiction Conquered The World. New York: Simon & Schuster. 1998.
Doyle, Peter. Echo & Reverb: Fabricating Space in Popular Music Recording, 1900-1960. Middletown: Wesleyan University Press. 2005.
Drobnick, Jim, ed. Aural Cultures. Toronto: YYZ Books. 2004.
Eshun, Kodwo. More Brilliant than the Sun: Adventures in Sonic Fiction. London: Quartet Books, Ltd. 1998.
Freud, Sigmund. The Uncanny. London: Penguin Book. 2003 [1919]
Gilbert-Rolfe, Jeremy. Beauty and the Contemporary Sublime. New York: Allworth Press, 1999.
Godard, Jean-Luc. Godard: Three Films. London: Icon Editions/Harper & Row Publishers. 1975.
Green, Martin. Science and the Shabby Curate of Poetry: Essays about the two cultures. London: Longmans, Green & Co. Ltd. 1964.
Grenville, Bruce, ed. The Uncanny: Experiments in Cyborg Culture. Vancouver: Vancouver Art Gallery/Arsenal Press. 2002.
Grodal, Torben. Moving Pictures: A New Theory of Film Genres, Feelings and Cognition. Oxford: Clarendon Press. 2002.
Gunn, James & Candelaria, Matthew, eds. Speculation on Speculation: Theories of Science Fiction. Lanham, Maryland, Toronto, Oxford: The Scarecrow Press. 2005.
Guzzetti, Alfred. Two or Three Things I Know About Her. Cambridge & London: Harvard University Press. 1981.
Hanson, Matt. Building Sci-Fi Moviescapes: The Science Behind The Fiction. Mies: Rotovision SA. 2004.
Hayward, Philip, ed. Off The Planet: Music, Sound and Science Fiction Cinema. London, Paris, Rome, Sydney: John Libbey/Perfect Beat Publications. 2004.
Hogan, David J., ed. Science Fiction America: Essays on SF Cinema. Jefferson NC & London: McFarland & Company Publishers. 2006.
Hollander, Anne. Moving Pictures. New York: Knopf. 1989.
Huyghe, Pierre, & Parreno, Phillippe. No Ghost Just A Shell. Köln: Verlag der Buchhandlung Walther König. 2003
Ihde, Don. Listening and Voice: Phenomenologies of Sound. Albany: State University of New York Press. 2007.
Jameson, Frederick. Archaeologies of the Future: The Desire Called Utopia and Other Science Fictions. London: Verso, 2005.
Jameson, Frederic. Postmodernism, or, The Cultural Logic of Late Capitalism. London: Verso. 1991.
Kaveney, Roz. From Alien to The Matrix: Reading Science Fiction Film. London & New York: I.B. Taurus & Co. Ltd. 2005.
Kelly, John Patrick, & Kessel, John, eds. Feeling Very Strange: The Slipstream Anthology. San Francisco: Tachyon Publications. 2006.
Khan, Douglas. Noise Water Meat: A History of Sound in the Arts. Cambridge: The MIT Press. 1999
Klein, Norman. The Vatican to Vegas: A History of Special Effects. New York & London: The New Press. 2004.
Kuhn, Annette, ed. Alien Zone II: The Spaces of Science Fiction Cinema. London/New York: Verso. 1999.
Leavis, F.R. Two Cultures? The Significance of C.P. Snow. London: Chato & Windus. 1962.
Labelle, Brandon. Background Noise: Perspectives on Sound Art. New York/London: Continuum International Publishing Group, 2006.
Lefebvre, Martin. Landscape and Film. New York/London: Routledge. 2006.
Lanza, Joseph. Elevator Music: A Surreal History of Muzak, Easy Listening and Other Moodsong. [Revised and Expanded Edition]. Ann Arbor: University of Michigan Press. 2004.
MacCabe, Colin. Godard: A Portrait of the artist at 70. London: Bloomsbury. 2003.
McCaffrey, Larry, ed. Storming the Reality Studio: A Casebook of Cyberpunk and Postmodern Science Fiction. Durham & London. 1991.
McClean, Shilo T. Digital Storytelling: The Narrative Power of Visual Effects in Film. Cambridge Mass. & London: The MIT Press. 2007.
Marcus, Greil. Lipstick Traces: A Secret History of the Twentieth Century. Cambridge Mass: Harvard University Press. 1989.
Miller, Paul D., ed. Sound Unbound: Sampling Digital Music and Culture. Cambridge: The MIT Press. 2008.
Mosco, Vincent. The Digital Sublime: Myth, Power and Cyberspace. Cambridge Mass./London: The MIT Press. 2004.
Murray, Robin L., & Heumann, Joseph, K. Ecology and Popular Film: Cinema on the Edge. Albany: State University of New York Press. 2009.
Narboni, Jean, & Milne, Tom, eds. Godard on Godard. New York: The Viking Press. 1972.
Nöth, Winifred & Bishara, Nina, eds. Self Reference in the Media. Berlin/New York: Mouton de Gruyter. 2007.
Parrinder, Patrick. Learning from Other Worlds: Estrangement, Cognition, and the Politics of Science Fiction and Utopia. Durham: Duke University Press. 2001.
Sanders, Steven. M. The Philosophy of Science Fiction. Lexington: University Press of Kentucky. 2008.
Schaefer, R. Murray. Our Sonic Environment and the Tuning of the World. Rochester: Destiny Books. 1977.
Shiff, Richard, Mancusi-Ungaro, Carol & Colsman-Freyberger, Heidi. Barnett Newman: A Catalogue Raisonné. New York/New Haven: The Barnett Newman Foundation/Yale University Press. 2004.
Seed, David, ed. A Companion to Science Fiction. Malden: Blackwell Publishing. 2005.
Silhol, Lea & Valls de Gomis, Estelle, eds. Fantastique, Fantasy, Science-Fiction: Modes imaginaires, étranges réalités. Paris: Editions Autrement. 2005.
Sobchack, Vivian, ed. Meta Morphing: Visual Transformation and the Culture of Quick Change. Minneapolis & London: University of Minnesota Press. 2000.
Sobchack, Vivian. Screening Space: The American Science Fiction Film. New Brunswick: Rutgers University Press. 1987.
Sumrell, Robert & Varnelis, Kazys. Blue Monday: Stories of Absurd Realities and Natural Philosophies. Actar: Barcelona. 2007.
Temple, Michael, Williams, James S., Witt, Michael, eds. For Ever Godard. London: Black Dog Publishing. 2004.
Thompson, Nato, ed. Experimental Geography: Radical approaches to Landscape, Cartography and Urbanism. Brooklyn: Melville House. 2008.
Toop, David. Exotica: Fabricated Soundscapes In The Real World. London: Serpent’s Tail, 1999.
Toop, David. Haunted Weather: Music, Silence and Memory. London: Serpent’s Tail. 2004.
Vest. Jason P. Future Imperfect: Philip K. Dick at the Movies. Westport: Praeger. 2007.
Waugh, Patricia. Metafiction: The Theory and Practice of Self-Conscious Fiction. London/New York: Methuen. 1984.
Westfahl, Gary, ed. Space and Beyond: The Frontier Theme in Science Fiction. Westport, Connecticut, London: Greenwood Press: 2000.
Whittington, William. Sound Design & Science Fiction. Austin: University of Texas Press. 2007.
Wood, Gabby. Living Dolls: A Magical History of the Quest for Mechanical Life. London: Faber & Faber. 2003.
Zukowsky, John, ed. 2001: Building for Space Travel. New York: Harry N. Abrams Inc. 2001.
Zunshine, Lisa. Strange concepts and the stories they make possible: cognition, culture, narrative. Baltimore: The Johns Hopkins University Press. 2008.
Book Chapters, Journals & Magazine Articles
Anderson, Ben. “A Principle of Hope: Recorded Music, Listening Practices and the Immanence of Utopia.” Geografiska Annaler. Series B, Human Geography, Vol. 84, No. 3/4, Special Issue: The Dialectics of Utopia and Dystopia (2002): pp. 211-227
Attali, Jacques, “Noise and Politics.” Audio Culture: Readings in Modern Music. New York/London: Continuum Books, 2004. pp 7-10
Banash, David. “Reading Baudrillard”. Science Fiction Studies, Vol. 30, No. 1 (Mar., 2003), pp. 123-129.
Baudrillard, Jean. “The Hell of the Same”. The Transparency of Evil. London/New York: Verso. 1990 [1993]. pp 113-123.
Baudrillard, Jean. “Simulacra and Science Fiction”. Science Fiction Studies, Vol. 18, No. 3, Science Fiction and Postmodernism (Nov., 1991), pp. 309-313.
Baudrillard, Jean. “Xerox to Infinity”. The Transparency of Evil. London/New York: Verso. 1990 [1993]. pp 51-59.
Beck, Bernard. “The Overdeveloped Society: THX 1138.” Film In Society. Arthur Asa Berger. New Brunswick: New Jersey. 1980. Pp 59-68.
Beckley, Bill. “Introduction: Sublimats Mobilis.” Beauty and the Contemporary Sublime. New York: Allworth Press, 1999. pp 2-15.
Berger, Arthur Asa. “War of The Worlds.” Popular Culture Genres: Theories & Texts, Foundations of Popular Culture Volume 2. Newbury Park: Sage Publications. 1992. pp. 131-146.
Boutoux, Thomas, ed. “JG Ballard.” Hans Ulrich Obrist Interviews. Milan: Charta. pp 58-68.
Collins, Jim. “When the Legend Becomes Hyperconscious, Print the…” Architecture of Excess: Cultural Life in the Information Age. London: Routledge. 1995. pp 125-149.
Collins, Karen. “Dead Channel Surfing: the commonalities between cyberpunk literature and industrial music.” Popular Music (2005) Volume 24/2. (2005): Cambridge University Press. pp. 165–178
Cholodenko, Alan. “Apocalyptic Animation: In the Wake of Hiroshima, Nagasaki, Godzilla and Baudrillard”. Baudrillard West of The Dateline. Palmerston North: Dunmore Press. 2003.
Conner, James A. “Strategies for Hyperreal Travelers”. Science Fiction Studies, Vol. 20, No. 1 (Mar., 1993), pp. 69-79
Csicsery-Ronay Jr., Ronay. “Antimancer: Cybernetics and Art in Gibson’s ‘Count Zero’”. Science Fiction Studies, Vol. 22, No. 1 (Mar., 1995), pp. 63-86
Csicsery-Ronay Jr., Ronay. “Science Fiction and Empire.” Science Fiction Studies, Vol. 30, No. 2, Social Science Fiction (Jul., 2003): pp. 231-245
Csicsery-Ronay Jr., Ronay. “The SF of Theory: Baudrillard and Haraway”. Science Fiction Studies, Vol. 18, No. 3, Science Fiction and Postmodernism (Nov., 1991): 387-404
Csicsery-Ronay Jr., Ronay. “Review: Postmodern Technoculture or the Gordian Knot Revisited.” Science Fiction Studies, Vol. 19, No. 3 (Nov., 1992), pp. 403-410
Doyle, Peter. “From ‘My Blue Heaven’ to ‘Race with the Devil’: echo, reverb and (dis)ordered space in early popular music recording.” Popular Music (2004) Volume 23/1. Cambridge University Press, pp. 31–49
Engström, Timothy H. “The Postmodern Sublime?: Philosophical Rehabilitations and Pragmatic Evasions.” Boundary 2, Vol. 20. No. 2, [Summer 1993]. 195.
Evans, Arthur B. “Optograms and Fiction: Photo in a Dead Man’s Eye.” Science Fiction Studies, Vol. 20, No. 3 (Nov., 1993), pp. 341-361
Gibson, William, “Cloning the Future: Science Fiction Film 1895-1996”, Sight and Sound Sci-Fi supplement, Nov. 1996.
Hesier, Jorg. “Romantic Conceptualism and the Trouble with the Sublime. Now Is The Time: Art & Theory in the 21st Century. Rotterdam: Now Is The Time/NAi Publishers. 2009. pp 176-185.
Kelly, Mike. “In Conversation with Thomas McEvilley.” The Sublime: Documents of Contemporary Art. London: Whitechapel Gallery/Cambridge Mass: The MIT Press, 2010.
Klein, Yves. “Truth becomes reality.” The Sublime: Documents of Contemporary Art. London: Whitechapel Gallery/Cambridge Mass: The MIT Press, 2010.
Leydon, Rebecca. “The Soft-Focus Sound: Reverb as a Gendered Attribute in Mid-Century Mood Music”. Perspectives of New Music, Vol. 39, No. 2 (Summer, 2001): pp. 96-107.
Luckhurst, Philip. “Border Policing: Postmodernism and Science Fiction”. Science Fiction Studies, Vol. 18, No. 3, Science Fiction and Postmodernism (Nov., 1991): pp. 358-366
Lyotard, Jean-Francois. “The Sublime and the Avant-Garde.” The Inhuman: Reflections on Time. Stanford, California: Stanford University Press, 1991. pp 89-107.
Mather, Philip. “Figures of Estrangement in Science Fiction Film.” Science Fiction Studies, Vol. 29, No. 2 (Jul., 2002): pp. 186-201
McEvilley, Thomas. “Turned Upside Down and Torn Apart.” Sticky Sublime. New York: Allworth Press, 2001: pp 57-83.
McLeod, Ken. “Space Oddities: Aliens, Futurism and Meaning in Popular Music.” Popular Music, Vol. 22, No. 3 (Oct. 2003): pp 337-355.
McLuhan, Marshall. “Visual and Acoustic Space”, Audio Culture: Readings in Modern Music. New York/London: Continuum Books, 2004. pp 67-73.
Mul, Jos De. “Radical Romanticism”. Now Is The Time: Art & Theory in the 21st Century. Rotterdam: Now Is The Time/NAi Publishers. 2009. pp 167-175.
Owen, David. “The Soundtrack of Your Life”. The New Yorker. April 10, 2006: 22-50.
Porush, David. “The Architextuality of Transcendence.” Science Fiction Studies, Vol. 18, No. 3, Science Fiction and Postmodernism (Nov., 1991), pp. 323-325.
Rossi, Umberto. “From Dick to Lethem: The Dickian Legacy, Postmodernism, and Avant-Pop in Jonathan Lethem’s “Amnesia Moon”. Science Fiction Studies, Vol. 29, No. 1 (Mar., 2002): pp. 15-33.
Shey, Don. “30 Minutes with the Godfather of Digital Cinema.” Cinefex. Issue 65, March 1996. Pp 58.
Sontag, Susan. “The Imagination of Disaster”. Against Interpretation and Other Essays. New York: Delta Publishing Co., Inc. 1965. pp 209- 225.
Sterne, Johnathan. “Sounds Like the Mall of America: Programmed Music and the Architectonics of Commercial Space”. Ethnomusicology. Vol 41, No. 1. (Winter 1997): pp 22-50.
Stewart, Garrett. “The ‘Videology’ of Science Fiction.” Shadows of the Magic Lamp: Fantasy and Science Fiction in Film. Carbondale: Southern Illinois University Press. 1985. pp 157-209.
Swope, Richard. “Science Fiction Cinema and the Crime of Social-Spatial Reality”. Science Fiction Studies, Vol. 29, No. 2 (Jul., 2002): pp. 221-246
Théberge, Paul. “The Network Studio: Historical and Technological Paths to a New Ideal in Music Making.” Social Studies of Science, Vol. 34, No. 5, Special Issue on Sound Studies: New Technologies and Music (Oct., 2004), pp. 759-781
Yuen, Wong Kin. “On the Edge of Spaces: ‘Blade Runner’, ‘Ghost in the Shell’, and Hong Kong’s Cityscape.” Science Fiction Studies, Vol. 27, No. 1 (Mar., 2000): pp. 1-21
Web Sites & Blogs
Hurst, L.J. Extremity or Superlative: JG Ballard’s High Rise. http://ds.dial.pipex.com/l.j.hurst/highrise.htm Accessed March 19th, 2010.
Art works
Hayden Fowler, Second Nature, 2008. Single channel, high definition digital video, 36:20, looped.
Ms&Mr, Study for Retrograde Motion, 1988-2008. 2-channel video archived VHS rotoscoped with HDV and animation, 0:47 looped.
Sam Smith, Permutation Set, 2010. Four channel HD video, four stereo channels, 00:20 x 16,777,216 permutations.
Soda_Jerk, After the Rainbow, 2009. 2-channel digital video, 5:30, looped.
Films & TV
2012. Film. Directed by Roland Emmerich. Culver City, CA: Aaron Boyd, Roland Emmerich, Ute Emmerich, et al. Columbia Pictures/Centropolis Entertainment, 2009.
Close Encounters of the Third Kind. Film. Directed by Steven Spielberg. Culver City, CA: Clark. L. Paylow, Julia Philips, Michael Philips. Columbia Pictures/EMI Films, 1977.
The Day After Tomorrow. Film. Directed by Roland Emmerich. Century City CA: Roland Emmerich, Ute Emmerich, Stephanie Germain, et al. Twentieth Century Fox/Centropolis Entertainment, 2004.
Donnie Darko. Film. Directed by Richard Kelly. Los Angeles CA: Christopher Ball, Drew Barrymore, Adam Fields, et al. Flower Films, 2001.
Flood. Telemovie. Directed by Tony Mitchell. Montreal, Canada: Justin Bodle, Peter McAleese, Ewa Radwanksa, et al. Flood Productions/Muse Entertainment Enterprises, 2007.
Judy, Frank and Dean: Once in a Lifetime. TV Special. Directed by Norman Jewison. New York, NY: David Begelman, Freddie Fields, Norman Jewison, et al. Famous Artists Productions Ltd, 1962.
Knowing. Film. Directed by Alex Proyas. Universal City CA: David Alper, David Bloomfield, Topher Dow, et al. Summit Entertainment, 2009.
The Matrix. Film. Directed by Andy & Larry Wachowski. Melbourne, Australia/Los Angeles, CA: Bruce Berman, Barrie M. Osborne, Eriwn Stoff, et al. Village Roadshow Pictures/Warner Bros. 1999.
La nuit américaine. Film. Directed by François Truffaut. Paris, France: Marcel Berbert. Les Films du Carrosse, 1973.
Superstorm. Miniseries. Directed by Julian Simpson. London, UK: Michael J. Mosely. BBC Worldwide, 2007.
Supervolcano. Telemovie. Directed by Tony Mitchell. London, UK: Michael J. Mosely, Steven Reverand. Big Blast Productions/BBC, 2005.
Star Wars [aka Star Wars: Episode IV – A New Hope]. Film. Directed by George Lucas. Marin County/Century City, CA: George Lucas, Gary Kurtz. Lucas Film/Twentieth Century Fox, 1977.
THX 1138. Film. Directed by George Lucas. San Francisco/Hollywood, CA: Francis Ford Coppola. American Zoetrope/Warner. Bros, 1971.
Twin Peaks: Fire Walk With Me. Film. Directed by David Lynch. New York, NY: Mark Frost, David Lynch. New Line Cinema, 1992.
The Wizard of Oz. Film. Directed by Victor Fleming. Century City, CA: Mervyn LeRoy. Metro-Goldwyn-Mayor, 1939.
Music
Hecker, Tim. An Imaginary Country. Digital download. Kranky/Iris. 2009.
Hecker, Tim. Harmony in Ultraviolet. Digital download. Kranky/Iris. 2009.
